Was Unity a success? Well, that's a good question, but it might not be the best way to ask it. I’m reminded of when Bilbo wishes the wizard Gandalf good morning: Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat. “What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?”
I’m no wizard (and some might argue no author), but whether my novel has been a success depends on the perspective. So, at the top level we could perhaps argue that for a novel to be successful it must have become a best-seller, perhaps with the film rights bought by a production company. Unity has sold fewer than 150 copies in a year (pass me the tissues…) and nobody has beaten a path to my door for the rights to it, so in that respect it has been a miserable failure.
Another benchmark would be that an established publisher picked it up and is now promoting it to booksellers and libraries throughout the land, with a generous advance to me to write a sequel. The publisher has organized a number of launches and signings, and I am in demand by all the literary supplements for interviews and profile pieces. Spoiler alert: I don’t have a publisher. I self-published, so no speaking tour or interviews, and no profile pieces. And I can’t afford any paid promotion. Success? Nope.
It’s about here that Gandalf, his bushy eyebrows arching together, would ask: “Or do you mean it’s successful because those who’ve read it have enjoyed it?” Okay, now we’re getting somewhere. By all accounts – and I mean verifiable feedback: reviews and ratings on both Amazon and Goodreads, along with direct emails and feedback to me personally – Unity has been successful. Those who’ve read it have enjoyed it (or for some reason been too scared to tell me they haven’t).
Ah yes, you ask, but are we talking hundreds of reviews and ratings? Because that would be a measure of success surely. Er, no. At time of writing there are 14 ratings and ten reviews on Amazon (but averaging 4.8 out of 5), and nine ratings with five reviews on Goodreads (all five stars). In terms of the quality of feedback then, yes Unity is a successful novel. In respect of the quantity? No, still struggling.
But what about peer endorsements? Established novelists usually have another famous author endorsing their books on the front cover, which gives confidence to the potential reader. If Ian Rankin says of Mick Herron’s Spook Street that it’s “A terrific spy novel” (which he does) then for Ian Rankin fans that’s all they need to check out Herron’s works. Did Unity receive any famous endorsements?
Well, actually, yes. Veteran actor Derren Nesbitt (Where Eagles Dare, The Prisoner, Special Branch, etc.) liked it and said I was “a very fine writer.” (Some may know that Unity has a tie-in to the enigmatic ’60s British TV series The Prisoner and Nesbitt was one of the guest stars). And David Pinner, author of Ritual on which the cult film The Wicker Man is based, calls Unity “a fine thriller.”
Successful endorsements? Yes and no. If Unity was widely available in bookshops and people saw those endorsements on the cover they might well be encouraged to purchase. But it’s not. So, lovely though the endorsements are, it’s like shouting them into the darkness and not even hearing an echo. But I’ve got them, so at least that’s something.
But about now Gandalf would be going, “Hrumph,” and snapping the reins to get his horse and cart moving along with some haste.
Am I despondent? Do I feel writing Unity was all a waste of time? Am I giving up writing altogether? You’d be entitled to ask given that so few copies have sold and considering all the energy I put into it. But for those of you with a bad case of schadenfreude, bad luck; no I’m not giving up, and here’s why…
I learned a lot about writing when I authored Unity. I unashamedly mimicked some of my favourite authors, emulating their writing styles and being inspired by their use of language. Not for a moment is this plagiarism; I am talking about being inspired by other authors, not pinching story lines, paragraphs or whole pages from them. I believe the quality of my writing improved as a result. That’s a success, and I enjoyed writing the book. Yay, high-fives all round.
When the book was in its final draft form I managed to cobble together a ‘focus group’ of 12 pre-readers who agreed to read it and provide me feedback, both in terms of the story and the grammar, spelling etc. As a result, I was able to tweak the narrative appropriately before release and fix most of the errors; any remaining are entirely my fault. How is that a success? Well, I didn’t have to pay for an editor (which I couldn’t afford anyway) and it helped confirm for me that the story was actually okay; independent readers told me so.
And finally, I successfully self-published Unity using Amazon KDP – Kindle Direct Publishing – a platform for authors to get their works published and available globally at virtually no cost. I designed and created my own cover, uploaded and formatted the manuscript, and proofed everything before hitting the “Publish” button. Hey presto, the book was born.
There are no vast stocks of Unity sitting in a warehouse somewhere, costing me storage fees; Amazon KDP makes the eBook version available for instant download, while the paperback and hardback versions are available on a print-on-demand basis, something that still gobsmacks me to this day. I recently ordered ten copies and they arrived within seven days. I don’t know how they do it.
I know of authors who can’t negotiate the mechanics of publishing with KDP and who pay “experts” a lot of money to do it for them. In that respect, I regard having done it by myself an achievement.
But beyond all of that, I wrote a spy novel. It might not win the Booker, it might not be a best-seller, and it might not even be in the shops. The thing is: I did it.
Success.
(Find out more about Unity: Peace for All, Freedom for None at www.unitystory.com)
